The Alt-right, Punk Rock, And Fake Boobs: An Analysis
The worst thing about people who are full of shit is when they become fans of things that you both enjoy and are a much, much greater expert on.
I think I’m in some position of authority to state that most punk rockers don’t know as much as I do about the Alternative Right, or the general umbrella of the new right. And similarly I think it’s safe to say that most people on the Alternative Right have only a cursory knowledge of punk rock.
So, as someone who is a damn near expert on both of these topics – not saying I was ever on the vanguard of either of these movements – I think I’m at least qualified to call bullshit on a recent article published by Playboy magazine.
But before I even analyze the recent Playboy piece “5 Punk Rockers Explain Why the Alt-Right’s ‘Punk Movement’ is Garbage“, let’s ALL put on our bullshit detectors.
Isn't Playboy the magazine that 13-year-old boys once jerked off to for the first time? Isn't it the "classy boobie mag" that was started by a pipe-smoking, middle aged pervert, who would feature pictorials of attractive women with their beach blonde hair and big, fake boobs? Wasn’t Hugh himself the subject of the wrath of second wave feminists?
Yeah, I know... Playboy has articles too; and there are people who actually read the articles. And, from my understanding, there was even an era when Playboy actually had good articles from "legit" writers like Woody Allen – who, liberal as he might be, bless his soul, never became a feminist or stopped being a pussy-chasing dog – and Gore Vidal. But that was the 60s, and you had to feign intellectualism in those days.
Regardless of its praising of certain liberal causes, Playboy has long since been just a porn mag-lite (no beaver shots), known for launching the careers of airheads like Jenny McCarthy and Pamela Anderson.
So why, all of a sudden, do they fancy themselves the authority on punk rock and feel that they can decide that “the Alt-Right’s ‘Punk Movement’ is Garbage”?
First of all, there IS no AltRight punk movement, because if there was, then my name would be in the article. Not only am I the guy who printed the first ever Punks for Trump t-shirts (only 50 left as of this writing; BUY BUY BUY!!!), but that’s Matt Forney, one of the definitive AltRighters, in the picture below wearing one.
But, even if the article's writer, Michael Tedder, was aware of this fact, he still misses the point entirely:
Members of the alt-right have of late made the argumentthat “conservatism is the new punk” and that gadflies like Alex Jones and Milo Yiannopoulos are the modern day truth-telling equivalents of the Sex Pistols and the Clash, pushing back against social justice warriors and political correctness culture. In their eyes, their old, retrograde ideas—which inevitably manifest as fear and outrage at attempts to curb white male privilege—have suddenly become avant-garde because of…safe spaces or something.
Neither Alex Jones nor Milo Yiannopoulos are “AltRight.” They’re libertarians. They’ve adopted some of the less extreme views of the AltRight – that cultural Marxism sucks, that SJWs of all stripes and shades are stupid and that Islam is a threat to Western civilization – but they were never considered part of the movement; to call them AltRight would be like calling the Cars a punk band. Sure the Venn diagrams overlap, but they’re not one and the same.
To be honest, I’m not considered “AltRight” by some of the more radical elements, either because I’m not a White Nationalist, I don’t believe that all ethnic groups need to be separated at all costs, and I don’t fit the proper genetic stock. The AltRight actually has quite a bit of diversity of thought under its umbrella, but a person on the left will never take the time to investigate any of this.
But I digress. As far as the “new right” (which includes the AltRight) being considered “the new punk rock”, well... I suppose that depends on how you define “punk rock.” And that's where we get to the meat, spikes, leather and chains of the article; unless, of course, you're a modern day vegan-feminist-hippie-crust-punk, who dodges showers the way the hippies dodged the draft. Then you probably think the original punks were fascists for wearing and eating dead cow.
Most AltRighters don’t know that much about punk and all of the bands it produced or its various sub-genres and their spin-offs. If anything, while AltRighters might espouse the general, "offend the easily offended" attitude of the Sex Pistols, and while I think Trump is pissing off all the right people, AltRighters specifically probably have more in common with the Oi! band 4Skins, who wrote this wonderful anti-immigrant slam “One Law for Them”, in which they quote the "rivers of blood" speech by Enoch Powell, or the Canadian punk band Forgotten Rebels, who have the hilarious “Bomb the Boat and Feed the Fish”, in which they advocate a rather more, um, violent solution to the problem of mass immigration from third world countries.
Hell, I’d even say they have more in common with hardcore punk bands like Agnostic Front, who have the anti-welfare screed “Public Assistance”, which got them in a heap of shit with the PC brigade, or Minor Threat, who mince no words in “Guilty of Being White”, or Black Flag, who sing about the changing ethnic demographic in Southern California in “White Minority” (oh, but they’re being ironic, cantcha tell?!).
But, instead Playboy claims they found the TRUE representatives of punk rock, and these people, who quite obviously have next to no knowledge of the AltRight, explain why someone on the AltRight can’t be punk.
First they get a quote from Victoria Ruiz from some band called the Downtown Boys. (And if you leftist fags say, “uh, what a POSER, you’ve never heard of the Downtown Boys?”, I’ll say, “go fuck yourself, you’ve never heard of Aryan Disgrace, Metal Urbain or the Mentally Ill.”)
Alice Bag, who has actually done the work of being a punk rock star, recently said via Facebook: 'Punk has been portrayed as music by and for angry white males, but in its inception, it was a rebellion against all rock cliches. Gender, ethnic, sexual and class taboos were all challenged by our early punk community and that is a story which is not very often told. People of color, queer folk, women—all were present from the very beginning of Punk.
Yeah, fine, Alice Bag and the Bags are actually really good – how can they not be? They had Geza X on guitar! – but Republican Johnny Ramone has done WAY more work of being a punk rock star. Not to mention Lee Ving of Fear, who wrote the classic “The Mouth Don’t Stop (the Trouble with Women).”And so has leftist clown Jello Biafra. So what?
Okay, fine, Darby Crash, the singer of the Germs, was a fag. And their guitarist Pat Smear is black. And Ivan Julian, the rhythm guitarist for Richard Hell and the Voidoids, is also black. And the Bad Brains are all black and were known for their queer-bashing because they "be Rasta, mon, and Rasta don’ like no bloodclot faggots!"
Again, so what? That changes precisely what again? The answer is coming; wait for it:
I think that this is exactly why it is nonsense when the alt-right strings together vapid words to try and incite a playground fight with those of us who put blood, sweat and tears into creating an expression that is the antithesis of everything that these alt-right meatheads represent. They are simply a distraction to the women, femmes, queers and people of color filling the columns of Spin, Rolling Stone, Pitchfork, the New York Times and numerous other publications that report on culture. I don’t see actual alt-right bands headlining Coachella, I see Beyoncé and Kendrick Lamar—two of the most punk in terms of crystallizing dissent about the status quo —artists taking the stage. Real punk is and will always be a total threat to the alt-right and their culture, which is based on white supremacy. Otherwise it isn’t real punk. The alt-right’s tactics are FAKE PUNK. The alt-white (I mean right) want us to sip tea, but we are drinking fresh water from a firehose.
In other words, according to this person, the AltRight DOESN’T represent the punk rock ethos because they AREN’T represented in corporate mainstream media and DON’T perform at corporately sponsored music festivals. I think even the old timey leftists at Maximum Rock ‘n’ Roll would raise an eyebrow at that. But more specifically, AltRighters and anyone who espouses views that are heretical to the PC establishment need to be purged from all mainstream discourse.
Also probably the main reason no “AltRight bands” have ever performed at Coachella is because THERE ARE NO ALT-RIGHT BANDS to speak of. And even if there were, they wouldn’t be invited to play these festivals. In fact corporately sponsored festivals like the Scion Rock Fest has dumped bands when they were suspected of having “nefarious” connections. But apparently Beyoncé and Kendrick Lamar are totally punk as fuck, man.
Next we have Chris Freeman of Pansy Division, the only name on the list I recognize. Feel free to read his lengthy, bitchy diatribe yourself. The only thing that stuck with me was this:
Punk rock for me was about free-thinking more than free speech, and I say that not to minimize free speech but to point out how robotic life had become in the 1970s.
Uh, oookay…. moving right along then…
Well, what do we have here? Erika M. Anderson seems to be the only person of the bunch with a brain!
I think if you define punk as simply being a group of angry young men wanting to say 'fuck you' to dominant societal norms and current values, then the roots of the alt-right are definitely one of the most punk things going on right now.
But that’s like narrowing your definition of punk down to the Sex Pistols—which was basically a boy band put together by a pair of London clothing designers who wanted to use shock tactics to promote their fashion line. I much prefer Crass (who were anarchists, feminists, environmentalists and better songwriters!), X-Ray Spex or even Pansy Division. But my guess is that if you are truly invested in the theory of alt-right as new punk, then facts about the diversity of the movement aren’t really going to appeal to you.
Oo, calling the Sex Pistols a boy band... them’s fightin’ words! Julian Temple’s 2000 documentary The Filth and the Fury puts that myth to rest. Plus, even if it were true, that doesn’t change the fact that “No Feelings” is one of the best songs ever. To be fair, Crass makes some pretty righteous noise even if they’re views are stupid, and X-Ray Spex tear it up with their noisy, bleating sax and Poly Styrene’s caterwauling; I don’t think I’ve ever heard Pansy Division. Regardless, I AM invested in parts of the alt-right, but as proven above, I’m aware that there were black, gay and gurl punks. Her rant concludes with this:
Indeed, it’s all keks and lulz until a con man takes office and fills his cabinet with incompetent billionaires who don’t actually care about free speech, poverty, or really anything but themselves. Turns out there is a thin line between being punk and getting punk’d.
Oo, she’s clever!
Some guy named Andy Nelson at least gets one thing right:
It is no great secret that for all its posturing and incremental progress over the years, underground punk is still, regrettably, a culture dominated by straight whites males.
I wouldn’t say “regrettably”, but:
The notion that expressing all the hateful bigotry that the entirety of American society has been reinforcing forever would resemble the anti-establishment in any form is a premise so asinine and feeble-minded it is nearly beyond comprehension. Insofar as 'Alt-Right Punk' is a real thing, I remind you that we’ve seen this type of thing before, and we’ve seen how it ends: Just ask Dave Smalley and Michael Graves what kind of traffic that moronic website ConservativePunk.com is getting these days.
Hey, if you don’t like it in the United States, you’re free to live in such tolerant countries as Iran and Saudi Arabia. As for Dave Smalley and Michael Graves, I’m not sure what kind of traffic they get on their moronic website these days, and I’m too lazy to check.
And finally Patrick Stickles of some band called Titus Andronicus (isn’t Shakespeare racist or something?) begins with:
In determining if conservatism/'alt-right' is the 'new punk' or 'political punk rock' or whatever they are saying, we must first address the distinction between 'punk,' the ideology, 'punks,' who practice said ideology, and 'punk rock,' the musical genre/fashion template with which we associate acts like the Sex Pistols or Ramones or Black Flag and 'punk rockers,' those who adhere to those templates.
No, we mustn’t. Well, you can if ya want, but I’m going to listen to this here Dictators song and have myself a vodka/diet coke mixer.